In a world filled with so many derivative films, it is worth remembering how rewarding it can be when filmmakers step outside their comfort zone. If for nothing else, this film embodies the power of experimentation. The attention to detail in every single aspect makes for one of the best cinematic experiences I've ever had. The Night of the Hunter is a celebration of cinema. These images, many of which contain deep contrast and expert blocking, are not only haunting, but also incredibly effective in telling the story visually, rather than overly relying on dialogue. Furthermore, this style also leads way to some of the most striking and beautiful imagery I have ever seen in a film. The cast is phenomenal (Robert Mitchum is the stand out), and their performances are highlighted by an understated visual style, relying heavily on longer takes and little camera movement. : The Night of the Hunter (4KUHD) Blu-ray : Charles Laughton, Robert Mitchum, Shelley Winters, Lillian Gish, James Gleason: Movies & TV. It starred Robert Mitchum, Lillian Gish, and Shelley Winters James Agee wrote the screenplay (or is at least credited with doing so). Shot in black and white, the 1955 film is Charles Laughtons sole directorial effort. Thompson, whose biography Carroll wrote, and Tom Wolfe, it was a school of storytelling in which journalists often made themselves part of the tale, offering. Search for crossword clues found in the NY Times, Daily Celebrity, Daily Mirror. The Night of the Hunter is a cinematic curiosity. However, what is so special about The Night of the Hunter has less to do with its excellent screenplay and more to do with the execution. Answers for THE NIGHT OF THE HUNTER SCREENWRITER JAMES crossword clue. It's intelligently written, exploring themes such religion and good versus evil while also being structurally innovative and experimental. I find it decent and worth seeing, but a little dated and lacking real horror. The movie was disturbing to audiences in 1955, likely because of the cruelty and evil shown in a man of the cloth, which made it not well received and caused Laughton to never direct again. I hated the ending, which breaks out clichés like a torch-wielding mob and overdone Biblical verse. The acting ranges from poor to so-so, Mitchum included (though he certainly is a handsome fellow), and the soundtrack is too intrusive, annoyingly so in the jaunty bits. On the other hand, Laughton's direction is heavy-handed and clunky at times, and there are plot moments that just don't seem quite right. Oh, and it was fantastic to see 62-year-old Lillian Gish, who turns in a suitably feisty performance. The shot director Charles Laughton captures of Shelley Winters in the lake is excellent, and Mitchum's 'L-O-V-E' on the knuckles of one hand with 'H-A-T-E' on the knuckles of the other is iconic. There are some creepy moments in this movie to be sure, and Robert Mitchum terrorizing two little kids will make you cringe or maybe have you urging them to run. Not a bad thriller, but not a great one either.
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